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the prodigal son comes clean During the December-January winter break of my second year at CalArts, the 21-year-old Andre stayed behind on campus for the duration of the holiday to work on a recording project. I woke up late in the afternoon or evening, wandering through deserted halls on my way to and from an unused music school recording studio. The fruits of my labor eventually emerged in early 1996 as a sprawling, 90-minute cassette entitled The Prodigal Son Comes Clean. Guitar Player magazine described tracks from this project as existing "in a wierd middle ground between [my] rocker heroes and [my] newer, artier idols." This is the sound of the arena-rock anthems, shred-guitar fixations, and meticulous-yet-stiff drum machine programming of my midwestern youth, as it collides head-on with my CalArts studies of odd time signatures, looping, and advanced guitar lessons. For me, listening back to it now - five years after the fact - is the musical equivalent of gazing at some particularly awkward high school yearbook photos: you can see signs of the maturity to come, but you'll have to put up with the acne, the jean jacket, and... oh man, that HAIR.
What you hear on this page is NOT the entirety of The Prodigal Son Comes Clean as it was originally completed. The tracks collected here represent a little more than half of the project: they're the ones that have either aged the best... or embarass me the least.
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The Cysts of Love i. Insidious Forebodings ii. Varnishings of Malevolence iii. Demolition Hoedown iv. Euphoric Incision (Southward) v. Vestiges of Decrepitude (12:24) RealAudio Stream |
A piece of music so utterly deadpan that not even I was in on the joke. "The Cysts of Love" is a 12-and-a-half minute, multi-movement, time-signature-skewering prog-rock monstrosity that unintentionally skirts the precipice of self-parody.
Guitar Player described the opening section as a "languid, Santana-meets-Holdsworth" affair, which is pretty accurate for the first couple of minutes. But then the metal guitars kick in, only to be usurped in turn by a backhanded tribute to "21st Century Schizoid Man." And don't forget the intro, which accurately depicts, perhaps, a swarm of metallic insects... or possibly a litter of cats getting their tails stepped on. |
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On Borrowed Time (10:24) RealAudio Stream |
This is what happens when you take a four-month class on odd time signatures, AND see King Crimson twice in concert, all in the same year. Metric mayhem abounds: though the whole tune is in 9/8, the meter is contorted every which way for the length of the track, with 9/8 and 18/8 duking it out in seperate speakers in the intro alone. Suffice it to say that fusion fans, prog afficionados, and math majors will find a lot to enjoy here. |
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The Saint Paul-Valencia Express (9:51) RealAudio Stream |
One of the more incongruous pieces of music I've ever heard, let alone written: a truly twisted mish-mash of anthemic arena rock, odd-metered Balkan Wedding music, modulating harmony, and tabla-scored ambient washes. If '70s rock icons Boston had recorded an album of Allan Holdsworth material in Serbia that was produced by Steve Tibbetts, it might sound like this. Talk about an unholy union... |
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Gateway (9:28) RealAudio Stream |
This was an attempt at copping the vibe of the very melodic, odd-metered Balkan folk music that was the foundation of my time-signature studies. 5/4 is the operative meter here, and this track has aged better than most of the others from Prodigal Son; I'm pleasantly surprised by the intelligence and form of the arrangement. Don't worry, though: the eminently hummable melodies are still a bit embarassing to me. |
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Breaking Contact (8:45) RealAudio Stream |
Not quite as brain-bendingly incongruous of a stylistic mutt as "St. Paul," this is still an unlikely mix of fuzzed-out guitars, industrial samples, yearning balladry, and angular prog-rock moves. The approximate name-dropping comparison here might be Smashing Pumpkins by way of Rush (dig the Alex Lifeson tribute at 4:39), produced by Nine Inch Nails. |
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Trust (2:31) RealAudio Stream |
One of the first entirely looped tracks I committed to tape, and rather uncharacteristically short. A pretty dark track, which reminds me of frayed communication cables slashed by the trespasses of ones previously held accountable. Put another way, it was well past time to change the battery in my E-bow. |
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